— About

Keith Morrison.
Forty-five years of records.

Engineer. Producer. Mixer. Owner. The kind of career résumé you build one platinum certification at a time.

— The Engineer

A career spent in the room.

Keith Morrison is a Latin Grammy–nominated mixing and recording engineer with over forty-five years of professional experience. His credits include records for Ricky Martin, Enrique Iglesias, Rubén Blades, Jorge Drexler, Andrés Cepeda, José Luis Rodríguez, Pedro Suárez-Vértiz, Soraya, Ricardo Montaner, and dozens of others across Latin and global pop.

Trained as a classical trumpet player at the University of Miami under Gilbert Johnson, Keith founded the Miami Chamber Brass quintet before pivoting to the studio side of the music business in the early 1980s. Four decades later, he's still doing the work — recording, mixing, producing, and arranging — for major labels and independent artists who keep coming back.

Beyond engineering, Keith spent three years as Audio Program Chair at the SAE Institute of Technology in North Miami Beach, mentoring a twenty-person teaching core and serving as chief academic officer for 150–200 students enrolled in post-secondary audio programs. He also taught master classes at universities in Bogotá and Lima on advanced mixing techniques.

Today, Kokopelli SoundStudio is the room where the work continues. Recently outfitted with a 5.1 monitoring setup, a Dolby Atmos speaker array, and a custom 144-insert patch bay network connecting four independent acoustic spaces, the studio is built for the next chapter of how records get made.

Work With Keith
— Selected Discography

The records
that built the room.

A partial list of recognized work. Multi-platinum certifications, Latin Grammy nominations and wins, and chart-topping releases across four decades.

TRIPLE PLATINUM
Ricky MartinColumbia Records
TRIPLE PLATINUM
Enrique IglesiasInterscope Records
DOUBLE PLATINUM · #1 / 13 WEEKS
Andrés CepedaFM Discos · Latin Grammy Nominee, Album of the Year
TRIPLE PLATINUM
Pedro Suárez-VértizSony Music
LATIN GRAMMY NOMINEE
Rubén Blades"Record of the Year" — Sonidos Del Mundo
LATIN GRAMMY NOMINEE
Jorge Drexler"Record of the Year" — Sonidos Del Mundo
LATIN GRAMMY WINNER
Voz Veis"Best Video Short" — Sony Music
DOUBLE PLATINUM
Juan Carlos CoronelBMG · Latin Grammy Nominee, Best Contemporary Latin Album
DOUBLE PLATINUM
Bayside BoysBMG
GOLD · BILLBOARD #1
SorayaPolygram · Latin Pop Chart
GOLD
Ricardo MontanerEMI
GRAMMY NOMINEE
José Luis Rodríguez"Best Latin Pop Album" — Sony Discos
LATIN GRAMMY NOMINEE
María Del Rey"Best Children's Album" — Mariposa Warner
GOLD
Marcos LlunasPolygram Latino
— Career

Four decades
of doing the work.

2024 — PRESENT
Freelance Mixing & Recording Engineer
Kokopelli SoundStudio — Building the immersive audio capacity, acoustic upgrades, and continued production work for major-label and independent artists.
2022 — 2025
Audio Program Chair
SAE Institute of Technology, North Miami Beach — Chief academic officer overseeing 150–200 students across post-secondary audio programs; managed a twenty-person teaching core in English and Spanish curricula.
1998 — 2022
Independent Record Producer
Sony, BMG, and independent labels — Production, arrangement, sound design, virtual orchestration, and artist coaching across every major Latin and pop genre. Sessions in Los Angeles, Miami, Latin America, and Europe.
1985 — 2022
Independent Mixing Engineer
Polygram, Universal, Curb, BMG, EMI, DreamWorks — Recognized for distinctive ambience and texture in audio production. Multi-national sales awards and Latin Grammy nominations across decades.
2006 — 2009
Master Class Lecturer
Universities & vocational schools, Bogotá, Colombia and Lima, Peru — Advanced mixing techniques, recording, and record production fundamentals.
1983 — 1985
Studio Manager
Crossover Recording Studio, Miami — Day-to-day operations, engineering staff, and maintenance personnel.
1978 — 1979
M.M. Trumpet Performance
University of Miami, Coral Gables — Full scholarship. Studied with Gilbert Johnson. Founded Miami Chamber Brass quintet.
— In the Room

Every voice
finds its sound.

From the artist tracking their first single to the veteran cutting their tenth album — the rooms, the gear, and the engineer adapt to what the record needs. The work begins and ends with the artist's voice.

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Years of Records
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Charted Releases
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Grammy Nominations
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Languages Spoken
— Every Sound

If you can play it,
we can record it.

Pop· Reggaeton· Bachata· Salsa· Hip Hop· Jazz· Country· Reggae· Blues· House· Trap· EDM· Folk· Merengue· Rock· Opera· Classical
— Begin

Forty-five years of craft
at your disposal.

Start a Session